Wow, they sure didn’t spend any money on this thing.
Anyway, we start out with some close-up shots of Kesha’s various body parts because she’s all about “her art” and isn’t a tramp at all. She’s waking up way out in the desert some place, because this is where you have to live when people get a little tired of hearing you on the radio. She’s apparently using some guy’s stomach as a pillow as she sleeps off the shame of whatever they might have just finished doing. Or maybe she just tripped and fell on a homeless person because, well, it seems like something she might do.
Kesha awakens and/or realizes that her drink is empty, and she takes a closer look at the guy, startled to discover that he’s wearing a nasty headband, which is a sure sign of trouble. She leaps to her feet and runs away across the sand. I’m guessing she doesn’t remember his name and she’s trying to avoid any social awkwardness. (Wait a minute. Maybe it’s just me, but that homeless guy seems to have a Jesus flair to him. What kind of story are we trying to tell here?)
Next thing you know, Kesha is riding an elephant and wearing a bonnet that she stole from the Statue of Liberty. That’s a rather vague concept that the director might have misjudged, so we cut to a tight shot on Kesha’s boots as she staggers through the desert. The heat makes her burst into song (“Maybe I’m ready for some rehab.” Ya think?), and she waves her arms like she really wanted to be in the high-school flag corps but things got in her way, like not actually going to high school.
Oh wait, there she is on the elephant again, followed by her sporting a tiger mask and assuming a squat-like position. (She likes zoos? She likes to hunt game? She’s practicing for Burning Man?) Then we have several shots of her Native American jewelry as she twirls around and can’t keep still, singing about her inability to stop banging her head against the wall. I’m not a physician or a neurologist, but the head-banging is probably not advisable. There are other hobbies you can pursue. Check out Pinterest.
Now she seems to have made up with the Pillow Jesus Man, because he’s back in the picture and they hold hands while a fan blows somewhere off to the side. More animal references, wild arm movements, and clunky jewelry that has GOT to be on her nerves by now. She weighs about 40 pounds. How is she managing to stay on her feet with all the wind and accessories?
Then they start screwing around with a kaleidoscope or something, because we suddenly have six refracted images of Kesha as she prances around in the sand. This unnerves me somewhat, because I don’t think the world needs six of her. But she keeps dancing anyway, delighting in the concept of an army of her body parts conquering the planet. This is probably the same vision that Ayn Rand had as she began writing her self-absorbed novels.
Oh, now she and Jesus are in a boat. She’s being really rude and jumping around while he tries to row them back to the Garden of Eden or maybe a place where bushes burn. Then again, I guess it doesn’t really matter how obnoxious she’s being, because there’s not any water and they aren’t actually moving. Kesha makes a reference to a “lovesick crackhead” and I officially quit trying to determine the plot.
Good move on my part, because they’re still in the boat, but now some unregulated artist is messing around with the film, using crayons to create water and buoys and giant crabs. Kesha reacts to the added décor by… I don’t what she’s doing. Pointing is involved, and wiggling around in Daisy Dukes. Then a giant cartoon wave covers up the boat, and I’m hoping the video is over so I can go somewhere quiet and ponder the life choices I have made that led me to reviewing this video.
Nope, it’s not over. Now we’re in an underwater cartoon world, where the fish have human faces and they are singing. (Well, that just ruined Sea World for me.) The oddities continue, with a nearly naked man covering his harmonica with an absurdly-long beard, carnivorous fish that turn into mermaids, and a general theme that life in the ocean can kill you. That’s nice. Make the budding youth of the world fear aquatic settings, assuming that their short attention spans can encompass such a concept. Thanks, Kesha.
And we’re back in the desert, where Kesha is struggling to escape some evil cargo netting that she apparently got tangled in during the chorus. She flails a bit, but she’s really not trying that hard and I don’t feel especially sorry for her. Besides, doesn’t she have an assistant that can just cut that damn thing off of her? Girl, where is your entourage when you need them? I guess even rock stars have trouble with the help.
Then we start jumping around, with more shots of Kesha lamely trying to fight off the Net of Death (twirling and trying to fly seem to be her signature defense moves), Kesha and Jesus standing on some big rocks and waiting for additional Commandments that might possibly be delivered, and the realization that Kesha has a fondness for sand being smeared all over her body, especially when her cheek is accented by turquoise streaks. I’ll just assume that she has different life goals than I do.
As Kesha sings about having a slumber party in her basement (just say no, kids), we are treated to images of Kesha in an outfit splattered with day-glo paint, cavorting with more boulders and an unexplained snake. (Is this a reference to music company executives? Discuss amongst yourselves.) Whatever her intentions, Kesha apparently feels very sultry when she’s flopping around under a black light, and she does her best to portray a streetwalker in an excised scene from the old-school movie Tron. (Two points for the bold neon line running directly into her lower cleavage. Nothing says class like painting a landing strip on your body.)
We head back to the cartoon world, with animals mutating and a giant billboard to remind us what the name of this song is. The graphics and imagery hint of a tribute to Sergeant Pepper and/or the Beatles, but really, how is Kesha going to get that reference? (She was only born about 20 minutes ago, decades after the Beatles owned the world with trippy, thoughtful compositions.) This montage is clearly the work of an art director with OCD, a fondness for hemp, and a membership in the AARP.
Now it’s night time in the desert, and Kesha has settled down a little bit. She and Jesus are making S’mores at a campfire, and perhaps writing a few things down in case Moses has some extra tablets. Kesha is still really happy about her jewelry, her ability to wave her arms for no apparent reason, and the fact that she can make whatever kind of video she wants because she is trending on Twitter.
The song and the video wind down with Kesha doing that weird baby talk business at the end. (“I like your beard.” Honey, that’s not a beard. That’s somebody being lazy and not shaving for a few days.) Jesus is watching her suspiciously and probably wondering why this disciple has proven to be so challenging and flirty. Kesha doesn’t care. (Does Jesus have any platinum singles? I don’t think so. Over you and moving on.) So she laughs a lot and plays with her hair, because she’s still young and doesn’t understand things like consequences, mortality, and an agent that really knows what he’s doing.
Final shot is of Kesha on that damn elephant, sporting the Statue of Liberty headdress. Give me your tired, your poor, and your teenagers with unearned disposable income. One of those three things is determining the future of the music industry, and that’s the real drug…
Click here to watch this video on YouTube.
Originally posted in Backup Dancers From Hell.
Categories: Video Review