Angie really, really wanted to be a flapper, but it turned out that she just really wasn’t all that good at it. Perhaps the first sign of failure was the complete stranger trying to physically restrain her flapping before we were all treated to a rustic tableau that we really didn’t need to see.
Angie: “Are you here to help me with the finale?”
Burt: “No, I’m here to make sure that you never get there.”
Angie: “What’s your beef, mister? You hate dancin’?”
Burt: “Well, I didn’t, until I walked into this room and cast my eyes on you. What you are doing right now is a sacrilege against The Charleston.”
Angie: “Oh, I’m not doing The Charleston. I made up my own dance. This is The Cincinnati. Only with more sin. Isn’t it swell?”
Burt: “No. And I think both cities would agree.”
Angie: “Look, are you just going to take everything I say and turn it into some joke you can tell your buddies at The Stork Club later? Because I don’t have time to be turned into a literary archetype.”
Burt: “Well, it did cross my mind that this might make a great anecdote to share with Bitsy Longbottom at the… wait, what did you just say? What do you know about writing clichés?”
Angie: “Oh, just a few things, considering I have a doctorate in both linguistics and American Literature. In fact, the second half of this dance is based on my musings concerning William Faulkner’s latest bit of self-centeredness, As I Lay Dying, Waiting for Godot to Fix Me Another Drink.”
Burt: “I had no idea you were a woman of letters.”
Angie: “Neither did the writer until about halfway through this piece.”
Burt: “Do you suppose we could get together for a drink? Preferably not one made by Godot. It will never make it to the table.”
Angie: “It’s possible. After all, some people think I look like Zelda Fitzgerald. And with another drink or two, I think you might pass for Scott Fitzgerald.”
Burt: “I’m thinking all of the people you just mentioned should stop thinking.”
Angie: “You’re doing it again, with the default sarcasm. Freud would advise that such infantilism is unhealthy.”
Burt: “Then the writer of this piece must be very sick, indeed.”
Angie: “Finally, something we can agree on.”
Burt: “And can we agree on that drink?”
Angie: “Sure. But first, help me finish up my interpretive dance. Just hoist me in the air and I’ll take it from there.”
It proved to be a night to remember. Especially for those in the front row seats when the rustic tableau finally made its debut during a racy trumpet solo. Several audience members switched political parties immediately after the performance, which resulted in an entirely unexpected presidential election that year. Sometimes you just have to do The Cincinnati instead of the Charleston. With extra sin on top…
Previously published in “Crusty Pie” and “Bonnywood Manor”. Slight changes made for this post.
Categories: Past Imperfect
I love seeing my name in print, it makes me feel so special😆
I also love the inclusion of As I Lay Dying, a very good story.
Now, pour me some gin and crank up the music! Let’s dance💃🏼
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Oh, so you’re saying that you would like to appear in a “Past Imperfect”? Because I know a guy that can make that happen. In the mean time, let’s cut a rug…
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Fantastic post as always!
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Thanks, Dave!
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Poor Angie is rather knock-kneed. I am a bit too.
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One thing I will never be accused of is gracefulness on the dance floor…
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I still think ‘she’ bears a most striking resemblance to Jack Lemmon in “Some Like It Hot”. Something about the vaguely male aura ‘she’ bears. But the chest balls totally contradict my thoughts and I always was a bit gender confused….
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She also bears a striking resemblance to yours truly, when I’ve had too many sloe gin fizzes and not enough supervision… 😉
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I love the literary references. J.
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It’s one of the things I live for, seriously. How do I work in the trivia?… 😉
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Isn’t that the Tinkle Tinkle Dance?
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Ah, good point. I’ve been known to dance my way to the facilities a time or two… 😉
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